Here’s the New Megacondo on University

From Curbed.com:

Word of the imminent demise of Greenwich Village’s iconic Bowlmor Lanes arrived in early 2014, when EV Grieve reported that site owner Billy Macklowe—whose father is none other than Harry Macklowe of 432 Park Avenue fame—wanted to slap a condo tower up on the site. Details of the new development have been few and far between in the meantime, but 6sqft has gleaned a few primary renderings of the project that seem to confirm 1) that it’s actually happening, and 2) that it will be amongst the tallest residential buildings in the neighborhood. According to 6sqft, the building will rise 23 stories to stand a “modest” 280 feet, and will contain 56 condos averaging more than 2,000 square feet apiece.

Plans filed with the Department of Buildings list SLCE as the Architect of Record, but a design architect has yet to be pegged, at least publicly, for the project. The building, which consumes a majority of the western side of the block between East 12th and East 13th streets, will have bike parking, a ground-floor community facility, a resident lounge and terrace, a parking garage, and ground floor retail.

RIP RIP2

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  • A Refresher Course on the Metronome Wall Art

    from Gothamist.com

    The Metronome, the hulking piece of public art omnisciently keeping time in Union Square, has been an object of both fascination and derision for twenty years. The work is meant to be a rumination on time and rituals, and features a massive rock, a whirring digital clock that means wildly different things depending on who you ask, and a hand from Union Square’s own equestrian statue of George Washington that points to its history.

    Yet something seems to be off about the Metronome. As a tipster pointed out to Gothamist, the steam that was supposed to emerge from the center of the piece hasn’t worked in ages, it doesn’t seem to have been maintained in a while, and even its website is defunct.

    That might be because the Metronome wasn’t ever finished, as Kristin Jones, the artist who created the piece along with Andrew Ginzel, tells Gothamist. It was always meant to be more than be a “gaping hole,” “void,” or “smoldering anus,” as it’s been called before. Jones says that the “dismissive and inadequate” upkeep from The Related Companies (the real estate company that owns the property) means the Metronome has never looked, or kept time, as they intended it to.

    According to Jones, the piece, a nod to European clocks’ different mechanisms for telling time, originally was going to emit steam twice daily (at noon and midnight) along with bursts of sound. It barely has, if ever. She also notes that in spite of “periodic upgrades” to the numeral display, the clock was “never correct in the first place,” especially because the artists never saw it before it went up and it never had the flexible software it needed.

    Jones knows that people seem baffled about what the numbers represent: They don’t, say, represent the national debt or the time left until the Earth implodes, and it is indeed a clock meant to be read left to right. (The left half, at least, which displays the time since midnight. The right half, which shows the time remaining until midnight, should be read right to left.)

    Curiously, the Metronome, steam and all, is prominently displayed on Related Rentals’ website, currently hawking one-bedroom apartments at the Union Square locale for a starting price north of $5,500 monthly rent. (“Live Luxuriously in a Work of Art,” it reads.) Related did not reply to Gothamist’s request for comment.

    The Metronome came about when Related approached the Municipal Art Fund in 1995, as The New York Times reported, about what to do with the building’s wall space. Eventually Related and the Public Art Fund held a competition where artists submitted proposals for the wall. Kristin Jones and Andrew Ginzel ended up getting the commission, and in 1999 the Metronome first began ticking along at Union Square.

    Since then, the artists say, they haven’t had input, or knowledge, as to how the artwork is being maintained, if at all. Jones says she’d personally rather see the Metronome be torn down instead of continue in its current state. “Since they don’t [correspond with us] I’m not interested in seeing the light bulb in the hole where there’s no steam,” Jones says. “It doesn’t make any sense.”

    Stephen Ross, the billionaire developer and chairman of Related, is responsible for Hudson Yards’ Vessel, the wastebasket-like stairway to…somewhere that owns your photos. Ross hasn’t been shy about his distaste for the piece Related had a hand in creating at One Union Square South. “It was a disaster,” he told The New Yorker last year. “That thing where the smoke comes out? Whatever the hell it is.”

    “Union Square South was and is a machine for enrichment, as is so much of real estate development today often without sincere civic vision,” Jones and Ginzel wrote in a statement. “Witness Hudson Yards. If Mr. Ross maintains ‘The Vessel’ as he has Metronome, pity the public who must contend.”

  • Changes to NYHRC on East 13th

    Information is sketchy, but it appears that Pan Am Equities, the real estate company that owns the collection of “True North” apartment buildings, including one on our 13th St. block, is now in the process of reconfiguring 24-26 East 13th St., the former home of the New York Health and Racquet Club, into 39 apartments, up from the previous 24. The ground floor and basement may once again hold a fitness facility. It’s unclear if the overall size of the building will change, but it appears not.

  • All the Latest on the New School Building

    Here’s a report from The Villager:

    New School officials and project architects presented the latest plans for the University Center — to be built at the site of the school’s current 65 Fifth Ave. — at a meeting of Community Board 2’s Arts and Institutions Committee last Wednesday.

    As its name indicates, the building is intended to be a new unifying center for the university, which has lacked a well-defined focal point.

    Scaled down from an earlier, $400 million design that was dropped due to the recession, the project, between 13th and 14th Sts., will be as of right, meaning it will conform to the site’s current zoning. 

    The Durst Organization is the developer. Construction will be by Tishman. 

    Lead architect Roger Duffy of SOM stressed that not all the design elements are finalized — such as the exterior surface treatment — and that they still might undergo some tweaking; as a result, while there was a slide presentation of the building plan at the meeting, SOM isn’t releasing schematic renderings to the press yet, according to New School spokesperson Jane Crotty.

    Leah Gartner, New School vice president of facilities, said the project is “fully affordable,” meaning that, financially, it’s ready to go.

    It’s planned to be 16 floors above grade, with two floors below street level. 

    Floors one through seven will be for academic uses, with a total of 200,000 square feet. 

    Floors eight through 16 will house a 600-bed student dormitory, with 143,000 square feet. The student residence will be for freshmen and sophomores.

    As opposed to the earlier design from 2007, which called for a 350-foot-tall building, this one will rise only half as high, at 178 feet.

    In compliance with zoning, there will be a setback at a height of 85 feet, which will mean the building will look like a smaller box set on top of a bigger box. Students won’t be allowed to use the setback area, which will be inaccessible, according to New School officials.

    A ground-floor retail space on 14th St. will have around 11,000 square feet.

    An auditorium that can be configured with up to 848 seats will be at ground level. The number of seats will be able to be reduced to 740 to add a runway down the middle for fashion shows.

    The building design features 12 “interactive spaces,” including the auditorium, as well as a library, cafeteria, student lounges and student meeting area.

    The building’s entrance will be on Fifth Ave. near the corner of 13th St. The student residence will have a separate entrance, near midblock on Fifth Ave., slightly closer to 14th St.

    In terms of energy efficiency, the school hopes the University Center will obtain “Gold” LEED certification, the second-highest ranking in the Green Building Rating System.

    The University Center may have a power co-generation system, taking it off the city grid. Gray-water and rainwater retention are being looked at, as well. Solar reflectors to heat the water are being explored.

    The design aims to maximize the amount of light “harvested” by the building during daylight. Light entering academic spaces will be bounced off shelves under windows and then reflected off the ceilings, allowing it to penetrate farther into the building’s interior. Lighting levels will adjust to the daylight’s intensity.

    About 33 percent of the exterior will be glass. The rest of the exterior surface is planned to be metal, though the exact material hasn’t been decided yet, Duffy said. It might be aluminum or a dark copper, and, in any case, it will be coated so it won’t create reflective glare, he noted.

    The existing, two-story building at 65 Fifth Ave. housed May’s department store in the 19th century, according to Crotty. Asbestos abatement is almost complete, and demolition will occur between this March and July. Excavation of the site and foundation work will start in August. 

    Crotty said a mitigation plan is in place to reduce construction noise.

    The new building is slated to open for classes in late August or early September 2013.

    Questions from board and audience members ran the gamut, but mainly focused on the building’s potential impact on quality of life and its contextuality with the neighborhood.

    As to whether the auditorium will be open to the public, Crotty said, yes, there definitely will be public programming.

    Residents said they wanted to be consulted about the retail space. Gartner, the facilities vice president, said a study is underway, examining “what would be compatible with an academic institution”; but it’s a long way off till 2013, she said, so no decisions have been made yet on the retail tenant.

    To a query on light shining from the building at night, it was noted that the building will have no exterior lighting.

    “As for the amount of lumens or foot-candles coming out of the building, we can get back to you,” Duffy responded, though he added that most of the lighting inside will be directed downward, not outward.

    Asked about students leaving their windows open and playing loud “stereos,” Duffy responded, “I don’t know what teenage students do for music nowadays, but my 11-year-old son uses an iPod. He doesn’t know what a stereo is.”

    Andrew Berman, executive director of the Greenwich Village Society for Historic Preservation, said the new design was better than the previous one, but that the facility could be more contextual with the neighborhood.

    “The scale is vastly improved,” Berman said, though adding, “It’s still a very large building that will have a large impact.” 

    Berman said the design had “a Midtowny, office building aesthetic. It’s an image that feels not quite right for this area,” he stated. “Certainly, 14th St. is a bit of a jumble, but we hope that Midtown won’t be brought to the Village.”

    Similarly, Union Square activist Susan Kramer said most buildings in the area are “light beige and masonry.”

    “When I hear ‘dark’ and ‘cooper,’ it just raises red flags for me,” she said.

    Kramer also pointed out she’d heard the project would have a green roof, which she suggested could be park space for New School students, taking pressure off usage of Union Square Park.

    But Crotty said, “At this point, I don’t think we want to have students out on the roof; that’s a safety concern for the university.”

    Furthermore, Jordan Barowitz, of The Durst Organization, said, “A green roof designed to resist heat gain and hold water — you can’t walk on it.” 

    C.B. 2 member David Reck remarked that the community has had problems with noise from rooftop usage.

    One neighbor wanted to know if all the dorm’s students would eat in the cafeteria. Crotty said the cafeteria is designed to accommodate all of them, and that the university hopes they all get meal plans.

    However, she added, “We have a lot of students and our students eat all over the neighborhood and support the local merchants, which we feel is a good thing.”

    Studies are underway on cafeteria usage, she said. The students, who will live in suites, will also have a small kitchen in each suite.

    Asked if anything will be done to lessen the impact of noisy garbage pickups, Gartner explained, “We’re making extensive provisions to hold the trash until the time the pickup arrives.”

    Finally, Deley Gazinelli, a member of Community Board 4, which covers Chelsea and Clinton, sent a mild titter through the audience when he noted that people passing The New School’s five-year-old dorm on Eighth Ave. at 19th St. sometimes see students having sex inside.

    “They can’t help it,” he said. “The rooms are very small and the beds are close to the window.”

    Crotty replied she was distressed to hear about it, that it was the first she was hearing of it, and that The New School “will investigate further.” The University Center shouldn’t have the same problem, she said, since the dorm will be in the top floors and less visible from the street.

    Jo Hamilton, C.B. 2 chairperson, said after the presentation, “It’s come a long way from what we first saw. And because it’s an as-of-right project, we don’t have a role,” in terms of the board’s issuing an advisory opinion. In other words, The New School is reaching out to the community even though it doesn’t have to. 

    In the previous, larger design, because the project included applications for two zoning variances — to combine two zoning lots and waive the setback requirement — it had to undergo a public review by C.B. 2.